I’ve always had a thing for Paris. Not necessarily Paris today, but the City of Light as captured in the 19th-century by the writers and other artists who would have rubbed shoulders in its café-concerts and galleries with Caillebotte.
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New galleries may not be able to afford to take part in major international art fairs, but they also can’t afford not to.
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It’s only fitting that a gallery should focus on portraiture at Frieze Masters. After all, the characters who frequent this fair — and particularly its glitzier sister, a short walk through Regent’s Park — are scrutinised as carefully as the art.
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How do you compete in a landscape where small and midsize galleries falter while big names flourish? This is the kind of question the next generation of art and design specialists are asking themselves.
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A shake-up in the selection procedure and fresh thinking at Tefaf Maastricht has seen a number of newcomers to this venerable fair.
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