When British artist Catherine Elwes had a baby in 1983, she soon discovered she was expected to keep her motherhood hidden.
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In the penultimate room of Sargent and Fashion at Tate Britain, there’s a small painting that, to me, encapsulates the entire show.
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An artist should avoid falling in love with another artist – at least according to Marina Abramović, who in the 1970s gave us her great manifesto for life and art.
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